Brassa became interested in the marginal art form of graffiti in the 1930s, seeing it as a form of outsider art that could open the door to new forms of artistic expression. His atmospheric photographs capture the essence of this unfettered creation. Stark contrasts of black and white alternate with[...]

One of the most evocative photographic memoirs every published. It was known that Brassai had taken a series of 'secret photographs' which could not be published because of their daring nature - the forbidden Paris, a sordid bas-monde where high society mingled with the underworld.[...]